February 12, 2008

I'm taking my boats to another pond!

I wonder if the BATNA (best alternative to negotiated agreement) blackmail tactic from non-doms that they will leave the UK if the government's tax plans are implemented (apparently Greek shipping families are the latest to threaten to take their toys elsewere) is not having quite the desired impact on the government.  Maybe (insert appropriate cliched adjective - dour, son of the manse, puritan) Gordon Brown and any residual socialist feeling in the Cabinet means that they would quite welcome the departure of conspicuously consuming, property price inflating squillionaires.  There is no doubt that the non-doms have pushed the top end of the London property market to weird levels (and as one Old Money Brit living in Holland Park described to me, spending money in mind boggling ways - digging below their Regency houses to build cinemas and swimming pools) which has an unhelpful knock on effect (a 1 bedroom flat in the East End that I bought as a first time buyer in 1988 for £60,000, at the height of that property boom apparently sold for £285,000 last year).  And this and the flash spending (see the Financial Times, How to Spend It magazine for inexplicably award winning stomach churning silliness) surely has a divisive effect on society.   I know it's not very New Labour to be against wealth creation, and Gordon Brown has apparently managed to say New Labour without washing his mouth out afterwards at a Cabinet meeting... but...

February 10, 2008

Superannuated cult dudes

I went to my third or maybe even fourth Robyn Hitchcock concert last week - this is more due to my husband's devotion to 'Sir' Robyn than mine. RH was looking older, more hunched, than we expected, but the eccentric English melodic melancholy was still going strong.  He sings of "heading for paradise, or Basingstoke or Reading" on "I Often Dream of Trains" - the concert is apparently "the director's cut" of this album.

His commentary between songs is as much part of the performance as the songs.  At one point, he rather ruined my admiration of his surreal and unpredictable meanderings by launching into a tirade about how he couldn't believe he once voted for Blair and how as a person who doesn't believe in anything, he views with suspicion anyone who does, as they cause so much harm in the world.  Well I'm an atheist too, but I really disagree with this "they're all as bad as each other" Bin Laden=Blair assertion.
Not only are Blair's Christian beliefs absolutely preferable to the Taliban's or Al Qaeda's, but the means, above all the means are so different. Blair sought to liberate, and not deliberately to kill massed civilians through terrorist acts.

In England we have battered the Christian church into something we can live with, even positively love aspects of (I would rather like to have Faure's Requiem and maybe "My Song is Love Unknown" at my atheist funeral, I'm afraid).  I agree with Daniel Finkelstein's gentle, mild article on this.

Which brings us unavoidably to the Archbish (I really don't understand why Mrs Archbish doesn't sneak up and attack those eyebrows with nail scissors when he's unawares), blogged to death already.  I thought "better read the whole speech, before commenting" but thankfully Tom at Freemania already has and it turns out the Archbish has probably been reading Amartya Sen too (“our social identities are not constituted by one exclusive set of relations or mode of belonging") and seems to have come to some rather odd conclusions, namely that secular governments should not monopolise definitions of political and public identity, so therefore plural jurisdictions should be allowed.  As Tom says, he has slid from social identities to public and political identities and then on to citizenship.  And of course that is precisely the problem with Sharia law, particularly as presently promoted by Islamists,(from my reading of Terrorism and Liberalism), which is that it too says there can be no distinction between private and public identities - good Muslims must express their faith in every aspect of their life.  Once you say Sharia law is accepted, there is no way certain Muslims will accept an "alongside with" English Common Law.  Muslims who don't agree will be bullied into accepting the judgement of Sharia courts, more than they are already being bullied.

February 06, 2008

My grandfather II

Further to my mother's obituary, a couple of things to add, related to the theme of this blog:

He kept his Danish citizenship, despite living in the UK for the final 40 years of his life, and could never pronounce "squirrel" properly.

At his funeral, a couple of his (Jewish) friends who had not known until then about his underground activities in Denmark, having heard my mother's speech then kindly invited her and her sisters to their synagogue the next day, where they said prayers of thanks to my grandfather.

Instead of naming individuals as with most other countries,  at Yad Vashem's The Righteous Amongst Nations, the entire Danish nation is mentioned.

February 04, 2008

My grandfather

My mother's obituary of my grandfather appeared in The Guardian's Other Lives today.
A_young_svend_3
        

In autumn 1956 my father, Svend Bock, who has died aged 96, was the Scandinavian Airlines System representative in Cairo. The Suez crisis was unfolding, leaving hundreds of British nationals stranded in Egypt. "At some risk to his own safety," as foreign secretary Selwyn Lloyd subsequently stated in a FO letter, Svend, a Danish citizen, had been "indefatigable in his efforts to assist British residents," surreptitiously organising exit visas - and funding.

It was not the most significant occasion on which Svend had offered vital assistance. He had begun working with Danish Airlines, in Copenhagen, in the late 1930s and, following the Nazi invasion of Denmark in 1940, he had joined the resistance - where his knowledge of aircraft movements proved useful. And with Mary, his Welsh wife, Svend was in the network smuggling Danish Jews to Sweden. Some of those fugitives became lifelong friends.

Born in Copenhagen, Svend was the youngest of six children of an exuberantly talented Danish writer and humorist, and a beautiful mother whose accidental death when he was six shattered his family. Svend, who was clever and adept at languages, was to end his education early, and then joined Scandinavia's biggest duvet and pillow manufacturer.

That job took him, in his mid-20s, to work in London where, at the English-Speaking Union he met Mary Davies playing ping pong. They married in 1938, honeymooned in Berlin, and went on to Copenhagen - soon followed by the Wehrmacht.

In 1946 Svend arrived in Warsaw to set up a Poland-Scandinavia air route. He never forgot that devastated city, where his hotel was one of the few buildings left standing, and where he pulled his bed into the middle of his room to avoid the bedbugs swarming the walls. The iron curtain was descending, that venture was aborted and by the late 1940s Svend was with SAS in Prestwick, Scotland, which, in that pre-jet era was a transatlantic air hub.

Those were his happiest times, his young family was settled in the tranquil seaside town, and at the airport the likes of Nobel prizewinner William Faulkner, Swedish opera singer Jussi Björling and Elizabeth Taylor passed through. Many shared Svend's fondness for whisky, and his job also entailed getting the celebrities back in the air in reasonably sober states. Nobel committees and European opera houses had much to thank him for.

In 1953 came Cairo. We all loved the life: bazaars, desert picnics, excursions to the pyramids and embassy parties. Then came 1956. Two years later we moved to Milan where, I think, his interests in opera and art rekindled - this led in retirement to his graduation with an Open University arts degree.

Later, leaving SAS, he settled in London and finally in Richmond, Surrey. We three daughters had scattered to three continents, and our parents' flat became a Heathrow annexe. "Make yourself at home," one of Svend's favourite phrases, was still repeated when we spent last Christmas with him.

Caring for our mother in her long illness, he discovered other talents. After her death Svend continued to visit St John's Hospital, in Twickenham, working with those suffering from Parkinson's and Alzheimer's disease, making tea, relieving their carers. At one point he was chauffeuring and tea-partying at least half-a-dozen elderly ladies.

It was, as Cyril Marshall, a friend of his ever since Egyptian days remarked, a privilege to have known a man who was a natural gentleman. And laughter was in Svend's lifeblood.

He is survived by we three daughters, Clair, Nina and Joanna, five grandchildren and three great-grandchildren.

February 03, 2008

I'm OK you're so so

Hmmm, I can't discern any cultural trends to explain this, so it must just be to do with the relative state of each country's economy or any of the other factors Tom at Freemania rightly lists.  "I'm all right Jack" is quite an English sentiment it seems to me, though...

January 20, 2008

Blunch 7

Going out on my bike for lunch took a month or so's break, due to a mix of holidays, being busy away working, bike gears on the fritz and the weather.  I went back to Unithai a week ago,finally, with fixed bike gears, and had an excellent pork ball soup with noodles - a rich dark soup with a touch of 5 spice I think.

Earlier this week I tried to go to Sushi Garden, having failed last time, when they were shut, despite claiming to open 7 days a week.  This time the failure was entirely mine - I had not left myself enough time to sit down and eat and make it to my Ethiopian mentee's flat on time.  So I ended up having a pasty on the bus, which was OK, but then I regretted it when it turned out my mentee had made me some lunch in her tiny kitchen.

Hubby suggested we try Sushi Garden again with a couple of friends who were supposed to be visiting us from London on Friday, but then they rang to cancel, having come down with the norovirus.  Undeterred we decided to go out anyway.  So, finally, I can do a blunch blog on it, although it wasn't lunch. 

The decor was quite cheesy - a sort of 1970s Western view of Japan - all geisha and cherry trees and mount Fuji.  The waitresses were dressed in some kind of Cheongsam Suzy Wong meets kimono outfit that reminded me of the split to the thigh outfit I had to wear when I was a student waitress at a Chinese Kosher restaurant in Hendon many years ago.  Some of the waitresses were Japanese but some weren't and the menu had a few Korean dishes on it.  I decided to order lots of little dishes izakaya style, and not from the almost too extensive, not very trad sushi menu, as it was too wintry an evening to be eating sushi we felt, although the menu did say that some of the sushi was hot.  Hmm.

The chicken tebasaki (fried wing tips) was good but the gyoza more deep fried and dry than the boiled/fried potsticker version I like.  The nasu dengaku (aubergine and miso) was not quite cooked enough.  I also chose the bibimbap - a Korean rice dish I have  enjoyed many times in Japan.  In Japan they usually offer the version where the ingredients are mixed together in a heated stone bowl, so the rice goes a little bit brown and crunchy at the edges and the egg cooks slightly.  Anyway, the Sushi Garden version was tasty, but I did miss the sizzling stone bowl bit.

Verdict - food OK, but the restaurant should be set out more as a place to come with big gangs of people from work (booths seating 6 type thing) rather than romantic tables for two.   Also,  given that in Brighton we already have Murasaki doing the  izakaya thing,  Yo Sushi and Moshi Moshi Sushi doing the wacky inauthentic sushi thing, E-kagen doing the Japanese home cooking thing and Pompoko doing the donburi thing, I think Sushi Garden would be better off concentrating on Korean food (and I suppose changing its name) as we don't have a Korean restaurant in Brighton, which seems a bit of an anomaly considering it's supposed to be the third best city to eat out in in the UK.  And while we're at it, we need a Vietnamese restaurant too.  Hubby and I were reminiscing about the fabulous meals we used to have at the Viet Hoa when we lived in the East End of London (nearly 10 years' ago now).

January 06, 2008

Blades and saddles

We (hubby and I) watched the samurai movie "The Hidden Blade", directed by Yamada Yoji last night, and were discussing why we enjoyed it so much and found Tarantino's "Kill Bill Vol 1" (which we saw for the first time the week before), also featuring samurai swords and dismemberment, so repellent and unengaging.  We are both big fans of Tarantino's "Pulp Fiction" and "Reservoir Dogs" and I remember liking, in a quiet low key sort of way, his "Jackie Brown" too.

"The Hidden Blade" came out in 2004, and "Kill Bill Vol 1" in 2003, so I don't think there are any conscious influences going either way for those specific films.  Yamada is famous in Japan for his series of big hit films "Otoko wa Tsurai Yo" (It's tough being a man") also known as the "Tora san" (the name of the central character) movies and more recently was the writer for the "Tsuri Baka Nisshi" series (diary of a fishing fool).  Neither of these series are what you might call samurai slasher epics, and are seen more in Japan as comforting family viewing, full of nostalgia and sentimentality.

It seems that Yamada, now in his 70s, is becoming more highbrow and serious in his final years, and "The Hidden Blade" is the middle film of three period samurai dramas he has done, which have been entered for Golden Bears and Oscars accordingly.  Certainly "The Hidden Blade" seemed to me to be making some observations about foreign influence and Japanese values, being set in the 1860s, when Japan was being forcefully opened up by Western powers, in the years preceding the Meiji Restoration. 

There is a moment, after the hero has tried to kill his friend (on orders from their clan) honourably in a sword fight, and the friend is in fact finished off by bullets from the militiamen, when the head of the militiamen says "we never tried our guns on humans before, so it was an excellent opportunity to observe their effect".  It immediately had echoes for me of the kind of remarks made by the Allied powers before and after dropping the atomic bomb on Hiroshima and Nagasaki.  Maybe I am reading too much into it, but I felt Yamada was asking what kind of traditional Japanese values should be preserved and which are best jettisoned in the modern global age.  Our hero, a low caste samurai, is "honourable" (respects women, modest, dislikes violence, is loyal but also vengeful)  but this ultimately means he renounces his samurai status, marries a servant girl and goes to work in "trade" (which is the lowest status class in feudal Japan).  This seems to be Yamada's preferred solution, contrasted with old, corrupt, venal and violent Japanese values but also with wholesale adoption of Western values.

And so to "Kill Bill", which is trying to say, what, exactly, about anything?  It is repellent because it isn't I suppose.  A New Yorker review puts it well:

"his use of styles and references feels increasingly arbitrary and eccentric, the scenes joined together by associations and loyalties that can’t possibly mean as much to anyone else as they mean to him [...]
Tarantino’s ambition, however, is unmistakable: he wants to impress his obsessions on the succeeding generations. The pop encyclopedist and video-store genius has become a megalomaniac, and the exhilarating filmmaker he might have been is disappearing fast."

So why am I connecting the two films?  Well, there is one similar scene.  In "Kill Bill Vol 1", The Bride goes to her old sword master to get a new sword, and is explicit with him that it will be used to "kill Bill", who was also a pupil of the sword master.  In "The Hidden Blade", the hero visits his old sword master in order to be taught a new move, and again is explicit that he will use it to kill his friend, a former pupil of the sword master.  In both cases the sword master has retired, in Kill Bill to become a sushi chef, in The Hidden Blade to become a farmer.

The resulting fights are prolonged, stylish and sadistic in "Kill Bill" and short, muddy and messy in "The Hidden Blade".  In the latter, the friend, just before dying, points out that this new move the hero has learned is in fact cowardly, as it relies on feigning a turned back, and is not honourable at all.  "The Hidden Blade" is "The Unforgiven" of Samurai movies.  Which makes "Kill Bill" - "Blazing Saddles"?  Although I am not sure it is that good.

October 03, 2007

Culture not incentives creates successful economies

Almost by way of an answer to Channel 4's Dispatches programme on Monday, which wondered why Portuguese immigrants to the UK were less successful in getting jobs and staying off benefit than other immigrant groups, this article by Gregory Clark, of the University of California concludes that it is the people, not the incentives or institutions, which make a successful economy.  He proposes further encouragement for schemes which enable people from less successful economies to move temporarily to more successful economies and then bring their new "cultural" attitudes to wealth creation back with them on their return. 

He doesn't mention it, but I think this phenomenon may explain Ireland's recent economic growth, stimulated by Irish returning from the US.  It was noticeable that the Portuguese immigrants in the UK who were interviewed for the Dispatches programme had no intention to move back to Portugal, didn't want to do the kind of low paid jobs that Polish immigrants were happy to take on, and had perhaps imbibed the slacker/sponger aspects of British culture rather than our Protestant work ethic.  Mind you, judging by this slightly Pollyfilla-ish article by Sarah Sands in the Financial Times, it may only be a question of time before the legendary Polish builders start slacking off too.

It is similar to the kind of recommendations made by Philippe Legrain for temporary immigration schemes.

October 01, 2007

Burma 2

I didn't go to the Brighton march for Burma on Sunday because I didn't know it was happening, and won't be able to make the next two either, as I will either be in a plane to the US or on a train to London the next two Sundays. So what can a person do - maybe linking to reports of what little there is coming out of Burma.  Like these on a massacre at Ngwe Kyar Yan monastery.  Yes, as some of the commenters on Harry's Place point out it may not be true, but I bet there's some truth in it.  Maybe it will be disputed like the Iraq plastic shredder story, but even if that was false, it doesn't therefore prove that Saddam and his sons were lovely people who should have just been left to get on with it.

September 28, 2007

Burma

It's been 22 years since I visited Burma.  I had a wonderful and extraordinary time there but even in my 18 year old naivete I could not help noticing (as well as being told about it by various Burmese) the oppression since the 1960s.  I am signing everything I can, wearing red and keeping my fingers crossed.  Seems rather pathetic though.  I felt I didn't engage enough in 1989 (I'm referring to Eastern Europe rather than what happened in Burma in 1988) and now in 2007 I am not sure what can be done, other than add my voice cyberly.